Theatre 2014: Review Thirty-Two

My Night With Reg, The Donmar Warehouse, London. September 2014.

Not quite an impulse trip but one that Rebecca and I planned after reading several reviews and realising that this looked like a good play in one of our favourite venues.

We weren't disappointed.  The play is a very clever three act piece featuring six men all of whom know Reg in some way and it then follows their lives over the next few years as the importance of this friendship becomes known.

All three acts take place in the same room and it is very clever how they segue into each other, it is only by paying close attention to the words and body language that you you can see what is actually happening - even thought the play has now actually closed I am loathe to explain too much about this as this is so cleverly done that I don't want to spoil it for anyone who may see this, or who looks for a copy of the film.

The play managed to go from causing tears of laughter to tears of grief in a heartbeat and was totally wonderful, like the best drama it kept me guessing and the third act for me was a real surprise and shock, and I don't just mean thanks to the full frontal male nudity.

There was so much detail and nuance in this play that part of me wishes I'd caught it early in the run and had the chance to see it again but then it was close to being perfect when I saw it and perhaps a second viewing would have spoiled that.

I love the surprise of theatre - every time I see a good play I think 'that's it - I'm never going to see something that good again' and lo and behold the next play is even better...

Theatre 2014: Review Three (cinema)

Coriolanus (National Theatre Live: Cinema City), Donmar Warehouse, London. February 2014.

This has been the hottest ticket in town and as soon as the cast was announced way back last summer Rebecca and I knew we really didn't stand a chance of seeing this live and so we always intended to see it in the cinema.  We've not regretted our decision as tickets have been changing hands for up to £2000 and however much we like the theatre that works out at 50 plus theatre tickets!

I went into the performance quite nervous as I know this is a bloody play but the way Josie Rourke stages it there are actually only 2 gory scenes and as ever they have so much more impact because of the restraint.

This was a modern day production staged in a very small space and while I liked some of the design choices - the wall and keeping all of the actors on stage throughout the first half where the scenes are short and entrances come quickly - I wasn't so sure about the exaggerated choreography and the walking to the edge of the stage and back again unnecessarily.

I'm not sure that I connected with any of the characters, I could see why they behaved as they did but none of them touched me emotionally and the perpetual weeping of Coriolanus' wife drove me mad.

The set design must have meant that all of the seats in the actual theatre missed some of the action and for once I felt that the camera added to the performance, at no point was I trying to look behind it to see what was going on elsewhere. Also even in the small Donmar Warehouse I think that you would have struggled to see the small emotional nuances that were integral to the play.

On the whole I'm pleased I saw this in the comfort of a Norwich cinema rather than having to queue from 4am in the hopes of getting a 'return' and I don't really regret not getting a ticket earlier in the run.

Theatrical Interlude 22

Berenice, Donmar Warehouse, London. November 2012

Now the nights are longer and the days colder the early starts and late finishes that a day in London necessitates are becoming less appealing but I know that once I get over that the trips are going to be fun.

I have in fact made four trips to London in just 10 days. Once to see a comedy tryout, once to go to the London Aquarium with my sister and nephew, once for a Sherlock themed fund raiser and then lastly to go to the Donmar Warehouse with my usual theatre going partner in crime.*

Not knowing anything in particular about the story we chose this play solely because this adaptation has been written by Alan Hollinghurst who is one of our favourite authors.

The Donmar Warehouse is fast becoming one of may favourite venues in London. I can't say I'd necessarily like to see a very long play there as the seats are padded benches but the space is so intimate and cosy that I feel at home as soon as I enter the auditorium.

Berenice is set in Rome just after the death of the Emperor Vespasian. His successor Titus is in love with Queen Berenice, a non Roman.  Vespasian disapproved of the match but now that Titus is in charge Berenice is just waiting for his proposal. Life is never that simple and when another suitor appears and all of Rome disapproves of the match then you know things aren't going to go well...

The play is formed of long speeches rather than snappy dialogue and has a very sparse set - the only props are two chairs, a staircase and a dagger. None of this matters, the actors make it a very intense and captivating play, odd in the extreme but compelling. The ending is also a surprise in many ways and that was really pleasing to me.

I still am unsure why a play set in the Golden Palace, in the heart of Rome, was full of sand, even falling from the roof of the theatre but I loved it and I am now going to have to search out a fuller (translated) version of Racine's original play.

The Berenice set from our seats in the circle, sand and all!

*My theatre-going-partner-in-crime is now fine with me revealing her identity (as she told me in no uncertain terms on Saturday) and so to find out more about my talented friend Rebecca please do check out her website!

Theatrical Interlude 2 (2012)

The Recruiting Officer, Donmar Warehouse, March 2012

From all accounts my theatre going friends and I were incredibly lucky to secure tickets for this production as it is quite hard to get tickets for this venue without being a 'friend of the theatre' for any performance - let alone when it is a sell out 5 star play.

We knew very little about this play in advance short of it being a comedy written in the very early 1700s.

Our tickets were very clear in saying that late-comers wouldn't be admitted so we arrived in plenty of time and found that as soon as the auditorium doors opened there was action on the stage - with musicians and dancers lighting hundreds of candles. The theatre itself was tiny but the seats were very comfortable and even being sat at the end of the row at the side of the stage we could see everything.

The play itself was a real surprise, it felt like a real bridge between Shakespearean theatre and modern plays - the interaction with the audience and the use of space beyond the stage was very much like a production at the Globe but the language was modern dialogue and natural rather than poetic and rhythmic.

The action all took place in a very short space of time and followed the intrigues of both star crossed lovers and the unscrupulous manner in which people were press ganged into the army. From the very start the play was incredibly funny (and that is before the stage became slippery and a dramatic skid led to some corpsing) and in a way the whole experience reminded me of an up market pantomime with lots of playing up to the audience although luckily no actual audience participation.
The humour continued right up to the last scene when all of a sudden it became wonderfully poignant - the lovers had all been reconciled, the pseudo-baddy (a wonderfully camp Mark Gatiss) had got his comeuppance and overcome this and the recruiting officer had his new soldiers. Then the new recruits all stood in a line playing the traditional song "Over the Hills and Far Away" and through their actions remind you that soldiers go to war...

All of the cast were brilliant, each person inhabited their role completely and the skill of the ensemble to act whilst playing musical instruments, singing, dancing and acting as stagehands was a real stand out.

This was a thoroughly fun play to see and yet again a play that I came out of wishing I could straight back in and see it again.