Theatre 2017: Review Thirty-two - Hedda Gabbler

Hedda Gabbler, Theatre Royal, Norwich. November 2017.

I'd missed this in London at the National Theatre and so was very happy to find out that the tour was coming to Norwich but even after all of this time I still went in 'blind' to the play as I didn't know the story at all.

I think that this was a great way to see the play as it kept me on the edge of my seat as I couldn't work out how the plot was going to play out at all.
I could sense that it wasn't going to be a happy play, and the focus of the guns at the start made me think of Chekhov's rule. This roughly states that if there is a gun shown in act one it has to be used by the end of the play...

While all of the cast were very good, none of their characters were and the slow growing air of menace and madness really drew me in and left me with shivers running up and down my spine. There were moments of levity (and sometimes I seemed to find things funny when others didn't - oops?) but this was an oppressively dark play, despite the light set!

This version was an adaptation by Patrick Marber and as I'm not familiar with the original I don't know how purists see it, I will be hunting down an earlier version to compare very soon. This is only the 2nd Ibsen play I've seen - the first Emperor and Galilean back in 2011 put me off a little but I think that I will be trying more in the future.

Theatrical Interlude 12

Emperor and Galilean, Olivier Stage, National Theatre, July 2011.

I am really beginning to think that I should rename this blog. I assure you that I am reading but as I am working my way through the work of one particular playwright at the moment it would be quite boring to blog/read about that.

Theatre on a Sunday is quite unusual but I for one am very glad that the National Theatre had some Sunday performances as it meant that I did get the chance to see this before the run ends.

When the play opened there were a few radio items about it, and all the press I saw was favourable so I was looking forwards to this event although it is a very obscure and long Ibsen play. So obscure in fact that this is the first time it has actually been performed in English.

I wasn't disappointed. It was a little long, especially in the first half, I did find my concentration wavering a little but the acting throughout was sublime - how the lead (Andrew Scott) managed to learn all of the lines I have no idea, there is barely a scene in the 3 1/2 hours that he isn't in.

The story itself is set in around 300AD when the Roman Empire converted from the pagan religions to being broadly Christian. Julian, nephew of the emperor, has religious doubts and when he becomes emperor he decides that he will renounce this decree and that all forms of worship will be allowed. This quickly falls apart and Christians are soon being persecuted and killed. There are more themes (friendship, madness, war) but this is the general story arc.

While the acting and story were great I found the staging and costumes to be a little much. There were so many costume changes and bits of moving scenery that this did keep drawing me out of the play and back into reality. Perhaps just because you can doesn't mean you should! However this was the first time I've seen just how incredible the Oliver Stage is - Frankenstein earlier in the year really didn't use it very much at all in comparison!

Ibsen (a Norwegian) clearly wrote over a 130 years ago a play that shows how easily belief can slide into fanaticism and violence. It feels heavily prescient especially in the light of the attacks in Oslo which occurred only 48 hours before I saw this performance.

I can't say that I would rush to see more Ibsen, but having seen 2 incredible plays at the National I will certainly be trying to see more there, whether live or when they broadcast to cinemas around the country.

Andrew Scott as Emperor Julian (photo Catherine Ashmore)