Micro Review 5 (2025)

 

What you are looking for is in the library by Michiko Aoyama, translated by Alison Watts (Transworld)

Before Christmas I took part in an online bookish Secret Santa run by the brilliant Big Green Bookshop . To take part you paid for an unknown book and then sent Simon an email saying what type of book you liked (and didn't like) and he found a surprise book for you and a wrapped parcel containing a fancy tea, a bar of chocolate and a book arrived before Christmas. If that wasn't enough work he also spent time to match you up with another person with similar tastes to create new bookish friends.

My parcel came with a lovely bar of Green and Blacks chocolate and inside was this book - and it ticked soooooo many of my boxes - translated fiction, set in Japan, about libraries and about books.

It was another perfect read for while I was poorly.

Like lots of the books in this genre it is more a collection of short stories that are connected by either a location or by chance encounters with other characters. In this case the main point of connection is a library that runs from a community centre that also offers lots of other activities. The characters are all visiting the centre for other things but end up in the library where they are helped to find the books they need and then also recommended a 'wild card' book which at first seems to make no sense to them...

As is to be expected in books like this the books all help to change the characters' lives and the book is a love letter to both the library and the book.

I've now read a lot of this type of Japanese fiction and every time I think that I've reached saturation point another good read comes along although I'm not totally sure how I missed this one when it was first published a few years back. 

Micro Review 8 (2024) Waterstones Debut Fiction Prize

 

Mongrel by Hanako Footman (Footnote Press)

This was my second read from the Waterstones Debut list simply because it was the next book that arrived from the library!

This, on paper, was much more the type of book that I pick up naturally: 

Mei loses her Japanese mother at age six. Growing up in suburban Surrey, she yearns to fit in, suppressing not only her heritage but her growing desire for her best friend Fran.

Yuki leaves the Japanese countryside to pursue her dream of becoming a concert violinist in London. Far from home and in an unfamiliar city, she finds herself caught up in the charms of her older teacher.

Haruka attempts to navigate Tokyo's nightlife and all of its many vices, working as a hostess in the city's sex district. She grieves a mother who hid so many secrets from her, until finally one of those secrets comes to light . . .

Shifting between three intertwining narratives, Mongrel reveals a tangled web of desire, isolation, belonging and ultimately, hope.

I did like the book as I was reading it, but I worked out the connections between the three characters quite quickly but it was an enjoyable read to work out how the stories would intertwine and how they would react if and when they met.

Much of the book is quite dark, and very adult in content and while I'm glad I read it you can't really call it enjoyable.

Blog Tour - A Single Rose by Muriel Barbery

 

A Single Rose by Muriel Barbery. Trans. Alison Anderson (Gallic Books)

Advance reading copy for Blog Tour

I was delighted to have the opportunity to read a new book from Gallic Books in advance of publication, and to take part in this blog tour. The stars really did seem to align for me with this one...

• Book in translation - check
• Book set in Japan - check
• Book from an independent publisher - check

The book's blurb added to my interest in the book and I was delighted when a copy dropped through the letter box a while ago, especially as the parcel was so pretty!

Anyhow back to A Single Rose I can't think of a better way to explain the book than to use the official blurb, which was written by a professional after all!

The temples and teahouses of Kyoto are the scene of a Frenchwoman’s emotional awakening in the stunning fifth novel by international bestseller Muriel Barbery. 

Rose has turned 40, but has barely begun to live. When the Japanese father she never knew dies and she finds herself an orphan, she leaves France for Kyoto to hear the reading of his will. 

In the days before Haru’s last wishes are revealed, his former assistant, Paul, takes Rose on a tour of the temples, gardens and eating places of this unfamiliar city. Initially a reluctant tourist and awkward guest in her late father’s home, Rose gradually comes to discover Haru’s legacy through the itinerary he set for her, finding gifts greater than she had ever imagined. 

I will now confess that this is a book I had to read twice - the first time I was just so immersed in the narrative that I just had to keep reading to find out why Rose didn't know her father, and also what his legacy was. 

By the time I reached the end of the book I realised that this isn't really the point of this book, it isn't about the destination at all, it is all about the journey and the discoveries that you make en route.

On the second read I found myself revelling in the traditional Japanese tales that preface each chapter, and wandering around Kyoto with Rose as she toured around the shrines, shops and eateries in the area. It is so beautifully written and descriptive that I felt like I was taking a walking tour of the area myself while I was reading and I did have to keep stopping to Google the locations Rose visits just to see them.

As I said at the start there was so much to draw me to this book and I am pleased to say that it didn't disappoint and in a time when travel is practically impossible still a book that is this visual is a treat.

Part of me wishes that I had read the book more slowly the first time around, but when a book grabs you like this then it isn't really a hardship to start from page one all over again!

To my shame I've not read any of Barbery's other books but I'm definitely going to rectify this soon - but possibly not until I've read this one for a third time!

Do look out for what other Bloggers and Bookstagram reviewers thought of A Single Rose I'm hoping they liked it as much as I did!

Micro Review 9

 

The Penguin Book of Japanese Short Stories - ed. Jay Rubin (various translators)

Apologies for the delay in reviews, I'm still working from home and this means that once I shut my laptop I just want to read a book - not write about them! Then once Mr Norfolkbookworm has finished his day (also from home) we're tending to go out for a walk while the weather is still good.

During lockdown I kept a book of short stories by the bed, this was great because even on the weirdest day I did still read something. I've kept the habit up as things have settled into a new normal and it means that depending on my mood I can read just one short story (and some are just two pages long) or can settle in for a longer spell. 

This volume of Japanese stories is fascinating, the editor has grouped them by theme but within these sections there are stories from the 19th century through to the present day and 99% of the authors are new to me.

As you'd expect in a book of short stories not every single one appeals, but certainly well over half do - and best of all (so far) none of the stories have given me nightmares, even though some of them have been incredibly weird.

I'm definitely going to look out for more books in this series from Penguin as it is a lovely way to learn more about literature from other countries and to add authors to my "must read" lists. A short story or two at the end of the day is also a nice routine to get into - bath, book and bed isn't just for children!

Micro Review 4

The Travelling Cat Chronicles by Hiro Arikawa (trans. Philip Gabriel)

This is a whimsical tale of one man and his cat, mostly told from the viewpoint of the incredibly intelligent cat, Nana.

It sounds trite but I was swept away by the writing and the descriptions of Japan through the seasons and by the end was an emotional wreck. This book was a master class in showing how to write/translate a book that appears simple but is in fact profound and deeply moving.

Micro Review 3

The Cat and the City by Nick Bradley  

Cats in Japanese fiction do seem to be a thing and during lockdown I have read two of the genre. This book is written by an Englishman (with Norfolk connections) who lived in Japan for a decade.

The book is effectively a series of short stories all connected by the ways that one cat pops in and out of their lives however obliquely. This device allows the reader to learn about many different areas of Tokyo and also just a little about the culture and structure of Japanese society.

I found it a great read for escaping during the worst of the (initial?) lockdown but came back to reality with a thump at the end of the book as world events even intruded on a book written and published before the pandemic.

Theatre 2016: Review Thirty-Six

Madama Butterfly, Glyndebourne on Tour, Theatre Royal, Norwich. November 2016.

I have to thank a friend and colleague for the chance to see this as she very kindly let me take her second ticket to this show.

It has been over four years since I went to the opera last and while I wrote about it favourably at the time I do know that I was nervous about seeing a more conventional production. I had found the confusion caused by so much singing and yet so little translation appearing on the surtitles confusing.  Studying Othello over the pas few years, and seeing the (filmed) opera version of this had explained more to me and so I was much more open to trying again with the format.

I think that it also helped 'knowing' the full story of Madama Butterfly more - after all it does form the basis of Miss Saigon!

Whilst from the first bars of music I was captivated with much of the performance I did find the decision to reset the opera into a post WW2 setting strange - especially seeing as Nagasaki was one of the cities destroyed by the dropping of an atomic bomb, would it really have been a place that welcomed marriages to US sailors or even able to support a thriving Geisha community?

However this soon faded into the background as the story, singing and acting soon made me forget the time period and I was just swept away with Butterfly's story.  Her voice was just out of this world and I really believed that she was a naive 15 year old in love with her American sailor.

Pinkerton was a little more of a problem for me as I didn't really think he came across as quite caddish enough (although as he was boo'd in the curtain call I might be alone in this), he was certainly weak in character - not voice or stage presence - but his persona was for me more of easily lead child than opportunistic and callous opportunist which is what the surtitles seemed to say he was.

The supporting cast were all wonderful both in acting and vocal talent and I admit that at several points I found myself welling up.  The scene where Butterfly and her son were just standing motionless in silhouette at the back of the stage waiting for Pinkerton while off stage the cast performed the Humming Chorus was heartbreaking.

A little bit of me missed the opulence that a Madama Butterfly set in late 1800s early 1900s would have given but I adored this, I've had the score on a constant loop since and I know that I will be trying more opera in the future.