Fishermen and Kings Exhibition

Fishermen & Kings: The Photography of Olive Edis, Castle Museum, Norwich. October 2016.

As a photographer I am always interested in discovering new (to me) photographers and this exhibition was sold to me particularly by the fact that Olive Edis was the first official female war photographer.

She was however more of a portrait photographer and this is one area that I really struggle with (unlike my sister who is incredible at taking pictures of people) so I wasn't sure what I'd make of most of the exhibition.

I needn't have worried, Edis had such skill when it came to taking pictures of people - whether they were fishermen or kings - and in every image there is something that catches your eye and means you spend ages looking closely each picture. It really all is in the eyes with Edis, I wonder if she was telling saucy jokes to her sitters to get that twinkle!

The exhibition has been themed cleverly and while I was looking forward to the War section I was most intrigued by Edis' images of influential women involved in the Suffrage movement (and after) I came away with a whole list of people to look up and learn more about.

The section of war photos was as moving as you'd expect, and again her skill as a photographer shines through - you can instantly see which photos were taken before the sitter had seen action at the front and those taken when the men had seen action just from a glance at their faces. I also liked the choice of locations she visited, just a very slightly different perspective than other photos from the era that I've seen before.

Interspersed with the photos are panels explaining Edis' techniques and some of her cameras and inventions for looking at her colour images but one of the nicest touches was the small alcove in which all of Edis' images are projected on to the wall. How wonderful to be able to just sit and see all of the images in a large format. (For those who can't get to the exhibition Norfolk Museums have put the images online for everyone to see).

I went to this exhibition with my dad, the man who taught me how to take photos, and we were both blown away - much to our surprise.  We've both been to other photographic exhibitions by photographers we knew much better and come away a disappointed but this one by an 'unknown' exceeded all our expectations. From the layout, the labels, the images chosen it felt wonderfully curated and I know that I will be going back at least once more before it closes.

Shakespeare in Ten Acts

Shakespeare in Ten Acts, The British Library, London. July 2016.

In the year that I finished my MA and 400th anniversary of the Bard's death there have been lots of Shakespeare events and exhibition. Perversely I've not seen that many plays etc. this year - possibly because I was concentrating so hard on my dissertation but I  knew that I really wanted to see this exhibition.

I'm pleased that we got there, the concept was really good because it wasn't just about Shakespeare's time but his legacy and this is what a lot of my studying has been about.

Each zone took a different play as a theme and then used printed material, costumes, interviews and videos to put it all in context.

Highlights for me were the copies of the early books, folios and quartos - comparing the three versions of Hamlet was a delight and reading the details about the booksellers and exactly where you'd find their stalls shops really brought the era to life.
Other parts that I liked were the rooms on Othello and non white actors - possibly influenced by seeing Red Velvet and reading about theatre in the eighteenth century.  I also liked seeing the recreation of Peter Brook's iconic white box A Midsummer Night's Dream as I'd read so much about this production.

A great deal of my pleasure from this exhibition came from seeing the actual items that I'd learned about over the past few years - the actual pages of the play Sir Thomas More thought to have been written by Shakespeare for instance but also the layout was really good and as it wasn't too busy at all when we visited there was plenty of time to read everything and walk backwards and forwards to look at things more than once.

After the past few years of study I didn't expect to learn many new things from the exhibition, but there were some quirky details that I did discover and if the exhibition had been a little warmer and I didn't have another play to get to I think I'd have spent even longer poring over the exhibits.

Birth of the Space Age

Cosmonauts Birth of the Space Age, Science Museum, London. February 2016.

Regular readers of this blog will know that I am pretty interested in the history of manned space flight and that I'll travel all over the place to see new things and meet new people.  Apart from the one trip last year to see Alexei Leonov I've not had the chance to see or learn much about the Russian Space Programme, mainly thanks to the secrecy surrounding it.

Mr Norfolkbookworm (and my dad) did make a trip to Russia a few years ago and got to see Star City as well as some other space sights and museums but the chance to see many items all curated together wasn't to be missed and so we found ourselves at the Science Museum shortly after the museum opened ready to explore this exhibition thoroughly.

I found it to be utterly fascinating, from the early ideas and drawings of those who had no idea of what space would be like (but who were unnervingly accurate with their predictions) right through to Soyuz capsule identical to the one that Tim Peake will return to earth in later this year the exhibition was well laid out and fascinating.

From trips to Florida I knew how primitive the early space program had been but this was a whole new level, the imperative to be first just caused so much innovation and bravery as well as luck...

Highlights for me included seeing the capsule that carried the first woman, Valentina Tereshkova, into space and also the proposed lunar lander.  Thanks to a very knowledgeable guide the utter bravery (or lunacy) of the proposed Soviet moon landing really came to life, and her advice to go into the main space gallery after the exhibition and to compare this lander with the American one was brilliant.

Seeing items that are familiar from watching more recent missions to MIR and ISS was also interesting and I particularly loved the dining table, complete with hot plate that was used on MIR.  I can't tell which space program had the better food however.

Coming out of the exhibition the last item on display was a mannequin that Soviets sent around the moon to see what the effects of space travel would have on the human body, it was life sized with areas for human tissue equivalents to be included which were then studied on return to Earth.  This mannequin was launched shortly after the death of Gagarin and in tribute to him the face was a detailed model of his own. This gave the 'phantom mannequin' a really spooky presence and really reminded me of the body casts from Pompeii.

We spent a long time in the exhibition reading and studying everything closely and at no point felt like we were being encouraged to move on.  After meeting Leonov it was really nice to see his own art work especially the image of sunrise in space that he drew while on orbit but the thing that stays with me the most is that if perhaps the two space programs had been more open then some of the disasters and deaths that have occurred really could have been avoided.

After leaving the exhibition - via the gift shop naturally - we went into the main part of the museum to see the model of the US lunar lander and also the Apollo 10 capsule.  This was doubly poignant as in April we will be (all being well) meeting Gene Cernan who flew to the moon in "Charlie Brown" and also because a couple of days before our visit Edgar Mitchell, the sixth man to walk on the moon, sadly died - 45 years minus one day since he landed on the moon.

Underwhelmed

The Vikings at the British Museum, April 2014.

I'd like to think that we found this exhibition underwhelming because we were tired but after a night in a nice hotel, a lovely breakfast and then a gentle stroll to the museum mean that this wasn't the case.

I am not hugely knowledgeable about the Vikings but thanks to In Our Time and novels from Kevin Crossley Holland I do know a little about them and I hoped to learn more at this exhibition.

Sadly the set up of this exhibition left me feeling disappointed and trampled.  Once more the curse of the audio guide struck and as soon as you walked through the door there was a crowd - even with our early ticket of 10 am on a Sunday. In addition to that the cabinets were not numbered and so even when you got to the front deciphering the contents wasn't easy.

In the end we mostly skipped the first room and found that it did get a little better further through as there was more space and it was easier to reconcile the displays with the information but on the whole we found this an over priced and over rated exhibition, which is a real shame as we've loved the others we have seen at the venue.

If the exhibition was this busy first thing on a Sunday morning I dread to think how bad it is on a week day when the school parties are also in.

On the plus side getting to see the Lewis chessmen in cabinets that really let you look closely at them was great - plus no one else in the room seemed to want to see them!

Making an exhibition of myself?

The Georgians Revealed, The British Library, London. December 2013.

A recent training day at the British Library has become one of my work highlights of the year.  We're going to be working on a very exciting project next year in conjunction with the BL and as a pre-Christmas treat 2 colleagues and I got to spend the day getting to know the library a little better.

We had a brief tour of the library including into one of the Reading Rooms and from that I now really do want to spend one day there during my MA if at all possible, although it is possible that I will find the silence too oppressive for good work!

After the training we had a couple of hours free and very kindly we were given free tickets to the latest exhibition in the library, all about the Georgians.  None of us knew much about the era but by the end we all wanted to read/reread the novels, go to a ball and try on the costumes.

The exhibition starts with a wonderfully innovative time line putting the period into historical and political context but then the main exhibition is all about the social side of the era using books and artifacts to illustrate this.  It was incredibly interesting and informative even with no real prior knowledge of the time and it would be easy to spend hours in the exhibition pouring over everything.  I was incredibly taken with the books about the formal dances, including the foot plans for people dancing a quadrille.  I have two left feet and could see I'd have been no asset at a ball.

The real highlight for the three of us was the 1799 map of London that has been turned into flooring just as you leave the exhibition. We spent ages working out where modern buildings were and what we recognised from today.  Also the chance to say we walked right across London is too good to miss!

The exhibition is on until March and even at £9 is worth every penny, I'm tempted to go back.

Exhibition Oddity

David Bowie is... Victoria and Albert Museum, London. July 2013

While Mr Norfolkbookworm and I were enjoying the Pompeii exhibition earlier in the summer Rebecca was queueing at the V&A museum securing us tickets to this summer's other sell out exhibition.

I wasn't at all sure about this trip at all. Apart from Under Pressure, Space Oddity and Ashes to Ashes I wasn't sure that I knew any Bowie songs and I'd not been that inspired to look any more up in advance of our visit.  I didn't own up to this while we were waiting for the museum to open however as there were probably a couple of hundred people desperate for tickets - as soon as the doors open they took off at a run for the ticket desk and I feared for the safety of the statues in the corridor!

I was in for a nice surprise as I found I enjoyed the exhibition more than I thought I would.  Bowie is an interesting character and there is a lot more to him and his music than the flamboyant stage persona.  On entering the area everyone gets an audio guide, but this isn't giving a dry talk about the exhibits but is in fact loaded with sound clips and music that start playing as you walk around.

Bits of the exhibition (probably the bits that Rebecca liked the most!) left me cold but sitting in a cool space listening to Bowie's music through a good sound system while watching concert footage was brilliant - people were dancing or toe tapping but as everyone had headphones on it was like being at a silent rave.

A real experience and I will be looking for more Bowie music to add to my iPod before we go away.

Norfolkbookworm at the gallery

Ansel Adams from the Mountains to the Sea, National Maritime Museum, Greenwich. March 2013

When I'm not reading or at the theatre photography is another time consuming hobby that I pursue, one that I was introduced to by dad.

I think I had a camera from about the age of 5 - I remember a very early trip to London Zoo with my dad and a camera, one that had a screw on flashbulb. I know I also had at least one 110mm camera and that I wasn't a teenager by the time I had my first SLR - an Olympus OM10.

Since the advent on digital I've been through a few cameras but Canon DSLRs and their lenses really inspired me.  I'm not great at indoor photography or portraits but I love taking landscape and nature shots and for years Ansel Adams has been a great inspiration.

The exhibition at Greenwich was wonderful when dad and I visited in early March.
It was housed in a light and airy room (unlike the rest of the over heated museum) that has wonderful white walls making the images really stand out.
The exhibition was reasonable empty as we wandered round and so we could stop and really stare at images that caught our eye. We could also wander round in any order we wanted and backtrack at any point.

While a lot of my favourite images weren't included (they don't have any link to water) I discovered dozens of new images that I hadn't seen before and fell in love with dozens of them. We were surprised at how small the originals were and how ingenious his methods for making the huge images!

There was a film show in one corner of the exhibition with footage from interviews with Adams and a couple of things he said really resonated.

There is a lot of talk about how 'real' photos are today with all of the technology out there to alter them, yet Adams himself spent up to a day working on a negative to get just the print he wanted.  The dates of his pictures are just when the shutter was pressed - the prints can be from anytime as he manipulated them in the dark room.

He also talked about photography and editing as being like music. A composer writes the score but it is up to the conductor and musicians how it sounds. Thus a dozen people can stand in one spot and take the same view but each of us will produce something different.

I've always been a little unsure about editing my photos in programs such as photoshop because I thought it was cheating - now I can see it as creating art from a basic start.  I still won't be doing things like substituting one sky for another and changing the basic image that much, but I won't feel guilty about enhancing the colours, converting to black and white and cropping.

One day I dream of taking just one picture half as good as Adams but this exhibition has inspired me and has not depressed me.  I'm now looking forwards to a planned trip to California, Yosemite and the Sierra with my camera.  And hoping that the schedule will allow a long visit to the Ansel Adams Gallery. I'm already saving hard!

The one disappointing thing about the exhibition was the gift shop. Both dad and I had fallen in love with a couple of images, including one of the huge feature pictures, but they weren't available to buy.  I am still debating whether to buy the exhibition catalogue as this may be the only way to get a copy of these images.