Micro Review 26

 

The Swallows' Flight by Hilary McKay (Macmillan Children's Books)

Net Galley eProof

Back in 2018, when my reading stamina was at its lowest, Hilary McKay's The Skylarks' War held me captivated and was one of the first books that I managed to read from cover to cover in a weekend. It was a wonderful book and one that my mum and sister have also gone on to enjoy.

Skylarks' was a book about the lead up to the first world war and just after, whereas Swallows' is a story about the 1930s and world war two. The novel is a sequel to Skylarks' but moves on a generation and this time one narrative strand  follows two German boys and we see the increasing grip of fascism on their lives.

As with the first book I quickly lost myself in this one and found it as engrossing as any sweeping adult book set in the same time period. There are a few coincidences that as an adult I saw coming but with fiction this good I don't mind. I really hope that this becomes a classic text for schools, it is a book that deserves the same reverence given to Carrie's War and Goodnight Mr Tom (and I love that book) and it is definitely deserves to be on any curriculum/reading list far more than the implausible (and borderline offensive) The Boy in the Striped Pyjamas. 

Bailey's Book Prize book five

Stay With Me by Ayobami Adebayo

I started this book with the assumption that I wasn't going to find it a top read.  It is set in Nigeria and one of my favourite books of all times, Half of a Yellow Sun by Chimamanda Ngozi Adichie, has this setting and I just thought that such a slender volume couldn't match that favourite.

I was so happy to be proved wrong by this one.  It grew on my with every page turn and at times I felt I was actually in the room with the family as events unfolded.

I've read lots of reviews with spoilers and I am glad I didn't see them before I started as this book really played with my own thoughts, prejudices and assumptions.  Something would happen and I'd draw a conclusion and then a few pages later some more information was given and my thinking changed by 180 degrees.

By the end my heart was breaking for all of the characters, so much about them couldn't be changed but just talking could have saved so much.

If I have any criticisms with the book it is that at times I found it a little hard to keep track of who was narrating each chapter - although after a few lines I always worked it out. I also wanted to know a little more about the politics in the background. Here they were important only in how they touched the story but the tidbits of information were interesting and I'd have liked a digression, this would have changed the style of book however and it is just perfect as it is.

I thought that I'd found my best Bailey's Book with Do Not Say We Have Nothing but this is running it close, and I can certainly see me convincing more people to read this than the epic Do Not Say. An added plus for this book is that Adebayo has links to Norfolk!

With only one book left to read on the short list I am so pleased to be involved in this project - I've been challenged with all the books and discovered some new favourites.

Theatre 2016: Review Twenty-three

Boys Will Be Boys, Bush Theatre at the Bush Hall, London. July 2016.

This was my final event of a busy few days (three plays/shows, one film and an exhibition in 50 hours!) and neither Rebecca nor I can remember why we picked to see this - a review somewhere must have enticed us.

We landed on our feet with this show - at just 1hr 45 minutes it packed a lot of punch.  The all female cast told a shocking story of sexism in the world of finance but the show was a mix of straight drama, cabaret style anecdote telling and big musical numbers.

The cast of 5 were incredibly talented and throughout the show I was never quite sure where the specifics of  story were going but the feel, that women don't compete on a level playing field with men currently was eloquently told without becoming didactic.

I found the show to be moving, socially aware, funny, shocking, and sensual.  I found Kirsty Bushell, playing Astrid to be the stand out of the show. With no costume changes at all she managed to convey all aspects of Astrid's character with just body posture and facial expressions and towards the end, despite her behaviour, my heart broke just a little for her as she looked so broken.  The rest of the cast were also terrific and as an ensemble this was stunning - it was just a little sad to see how empty the venue was.

If this tours or transfers I'd urge you to go - I know I'd try and get tickets again.

Theatre 2015: Review Thirteen

The Merchant of Venice, Shakespeare's Globe, London. May 2015.

Just three days after seeing Romeo and Juliet with mum I was back at the Globe with Mr Norfolkbookworm although at one point the trains again seemed to be working against us and I wasn't certain we'd get there in time.

I'm so glad that we did get there because this is a glorious production from start to finish.  It had a huge cast compared to earlier in the week and sumptuous costumes and I really felt I was living in Venice and not twenty-first century England.

This version of the play gave a lot of humanity to Shylock - he is treated abominably by the Venetians and his insistence on the pound of flesh becomes far more understandable; however his treatment of his daughter and his lament for his money not her balances this out. He has become a complex character and not a pantomime villain nor a martyr.

I found the Venetian men to be arrogant and far more villainous in this staging but even then they were reined in enough that I still felt sympathy with them, and the reading of Antonio and Bassanio was heartbreaking.

I found the female characters to be fully rounded and fun to watch.  Portia's scenes with  her suitors were suitably funny but not overblown and her turn as the disguised lawyer was very well done - she was well enough disguised that when Bassanio failed to recognise her in the courtroom scene I could believe this. Jessica's scenes with her father - especially those in Hebrew - were brilliant, her scenes with her lover/husband slightly less so.

The other 'comic' character in the play was also suitably restrained, and rather than being tedious the small amount of Groundling interaction really worked.  There was just enough levity in the play to relieve the tension of the main plot but it never got out of hand.

The last time I saw this play I was left feeling uncomfortable about the way the inherent anti-Semitic plot strand was handled but in this version I found it to be sympathetically staged whilst still being abhorrent.  There was a clear delineation between Jessica's conversion and that of Shylock which made a very moving finale to the play. The ending did mean no jig but this was the right decision.

I did wonder how Jonathan Pryce would find the open space of the Globe theatre but he had me in the palm of his hand I hope he'll become a regular actor there.  The nice touch of casting his real life daughter as Jessica worked wonderfully too, stunt/celebrity casting at its best.

Theatre 2014: Review Thirty-Nine

Lord of the Flies (ballet), Theatre Royal, Norwich. November 2014.

We'd not been back from our holidays a week before I was off to the theatre again and after enjoying Swan Lake so much last year I leapt at the chance to see another Matthew Bourne ballet.

Here's a shocking confession for a bookworm to make - I've never read the Golding novel Lord of the Flies. I know the basic plot premise but none of the details.  I considered reading it while we were away and then decided that I wouldn't - I'd watch the ballet first and see if I could follow the story.

The answer is a resounding yes - from the very first movement on the stage to the last I understood and followed the storyline throughout, and just like Swan Lake I found it incredibly moving and powerful and at times incredibly tense and scary.

This wasn't traditional ballet but it was all about the choreography and movement and this time the cast was all male. Interestingly not all of the cast were professionals either. Back in April a call went out for people interested in the project to come to a taster session and since then local boys and young men have been trained to such a standard that I could see no way of telling them apart from the fixed touring cast.

I was transfixed throughout the whole performance and like so many theatrical experiences this year if it was possible I'd go and see it again like a shot - there is so much happening on the stage all of the time that I don't think it would be like seeing the same thing twice... I am going to read the novel now and see how they compare.

The new season has just been announced at the theatre and I already have tickets for Bourne's Edward Scissorhands but I am also contemplating some of the more traditional ballets and giving opera another go.  Good productions are dangerous as they just make you want to see more and more!