Micro Review 11 (2025)

 

The Prosecutor by Jack Fairweather (Ebury Publishing)

While I have read a few books in the past couple of weeks most of them have been ok but nothing more, with one that needs a lot more thinking about before I write about it. There was also the awkward coincidence of me starting Pope Francis' autobiography on my tea break only to hear he'd been hospitalised by the time I had my lunch break...

However Jack Fairweather's The Prosecutor was a book that I found as gripping as any novel and one that taught me so much on a topic that I thought I'd possibly exhausted.

The book is all about Fritz Bauer, a gay Jewish German legal man who after surviving the Holocaust was horrified at the cursory way 'de-Nazification' took place in West Germany and how many prominent Nazis regained their positions in society - and government. He wasn't just horrified however - he decided to do something about it, including helping track down Eichmann and ensuring he faced justice. He also managed to challenge the specific wording of German Law so that he could actually put perpetrators of the horror on trial.

As well as Bauer's story we hear how former Nazis were reintegrated into the higher echelons of government, how they formed the backbone of West Germany and how the Western powers let this happen. It also covers the slow way that Germany was forced to face the atrocities of the Holocaust, but also shows how the seeds of denial (which are sadly growing once more) were sown.

I've read a lot about East Germany in the period 1945-1961 but this was the first book covering West Germany and once more it just shows how the victors get to rewrite history - I found the book chilling but fascinating and I really recommend it when it is published tomorrow.

Many thanks to Ebury for providing access to an advance copy of the book via NetGalley

Micro Review 10 (2025)

 

Between Two Rivers: Ancient Mesopotamia and the Birth of History by Moudhy Al-Rashid (Hodder and Stoughton)

After reading Elif Shafak's There Are Rivers in the Sky last autumn I realised that while I am very familiar with the Greek and Roman histories/origin stories and somewhat familiar with Ancient Egypt I knew nothing about Ancient Mesopotamia.

From reading the the first two volumes of Sapiens: A Graphic History from Yuval Noah Harari I came across some parts of Ancient Mesopotamian history thanks to his featuring Hammurabi and his laws but I was still in the dark...

Just as I started looking for recommendations by other classicists I saw Between Two Rivers being talked about online and then it appeared on NetGalley - hurrah!

I found this book to be a great introduction to the subject, Al-Rashid takes us right back to the beginning and explains where/who we are talking about and then using archaeological finds talks us through how this part of history has been decoded and the cuneiforms translated to give us our current understanding.

As ever when working with dates BCE it did take me a while to work out the 'when' was - especially when Al-Rashid just says in the 18th century BCE but that it just my poor grasp on time and not a fault with the book! I really liked the little insights into the author's life as they helped bring an unfamiliar world in to a context I could relate to, but there weren't so many of them that you felt it was an autobiography hung around a history book.

The one thing I would really have found useful is a timeline that matched the Mesopotamian events to happenings in the Greek/Egyptian/wider-world and it might be that this is something that is in the physical finished copy and just not reproduced in the electronic proof I read - I've got a copy of the book on order so when it comes out towards the end of the month I can check for this. If it isn't there I shall have to make my own!

Right I'm now off to find a translation of Gilgamesh and some more entry level history books as I'm now fascinated by this new period in history!

Many thanks to Hodder & Stoaghton for the advance copy via NetGalley

Timely reading

 

Florence: Ordeal by Water by Kathrine Kressman Taylor (Manderley Press)

Until I read Still Life by Sarah Winman a few years ago I'd not heard of the horrific 1966 flood that devastated Florence. Since reading that I've wanted to know more about the true events that inspired the fiction and have been eagerly awaiting this to be published.

It was fascinating, heart stopping read and then heart warming in how quickly so many people came to the city's rescue.

However the book took on a new poignancy as while I was reading it the dreadful news about the floods in Spain broke. As we learned more about this catastrophe it became clear that nothing seems to have changed in the way of flood warnings - and in fact the floods of 2024 were far more deadly despite all of our modern technology.

It is always hard to recommend a book about a tragedy but this book was fascinating, and in the end hopeful, so if you're interested in Florence, art, disaster recovery or just diaries from the 1960s this book is for you - and perhaps all city/disaster planners who live near rivers...

Review of the year part 2

 

Top Non-Fiction read in 2021

As the New Year Bank Holiday is three days long this year I feel fully justified in spreading my 'best of the year' lists over three days too!

Today non-fiction books take centre stage, I wasn't always in the mood for fiction during 2021 and thanks to the great non-fiction out there I never quite lost the reading mo-jo. In a year that was so strange, and with so little travel possible, I definitely roamed the world via the written word.

In alphabetical order my top reads were:

• Come Fly the World by Julia Cooke
• One Woman's Year by Stella Martin Currey
• The Stubborn Light of the Things by Melissa Harrison
• Minarets in the Mountains by Tharik Hussain
• Burning the Books by Richard Ovenden
• Light Rain Sometimes Falls by Lev Parikian
• Slow Road to San Francisco by David Reynolds
• The Lost Cafe Schindler by Meriel Schindler
• Hidden Hands by Mary Wellesley
• Freedom by Lea Ypi

Micro Review 45 and 46 (non fiction November)

 

Minarets in the Mountains by Tharik Hussain (Bradt Publishing)

I'm always on the lookout for new books to try and this one really stood out for more when the Baillie Gifford Prize for non-fiction was announced earlier in the year.

It took me a while to get around to the book but I'm so pleased that I did as I learned so much from reading it. Hussain takes his family on a long summer holiday around parts of the Balkans looking to find Muslim Europe.

To my shame I had no idea how much history there was in the region, I knew that large parts of Spain had been Muslim but not that this empire went so much further. While I knew that there were  dreadful atrocities committed against Muslims during the Bosnian War I had no idea of the deep history behind this persecuted population.

This book could so easily have become maudlin, but Hussain and his family find lots of light in present to balance the darkness of history and when travel is possible again then there are some new places I'd like to visit.

In that way reading often has this book connected very well with one that I'd read a few weeks before:

  Free by Lea Ypi (Penguin Books)

(coincidentally also on the Baille Gifford longlist & shortlist)

This is an account of life in Albania just as the communist regime fell apart in the 1990s. Ypi was only a child at the time and fully committed to the teachings and propaganda that she was taught at school.

In the west we are so used to the idea that the removal of communism was the best way forward that we don't hear much from the people who experienced a very real sense of loss after their way of life failed. Ypi's parents were very careful to ensure that she had no idea of their past and actual political leanings that you can feel her entire life fracture along with the Albania she knew.

Albania's transition to a democratic nation was not smooth, and again I don't think we in the west ever heard the full story so much of Ypi's story was new to me and incredibly eye-opening.

I do love how sometimes books you read can have unexpected conversations with each other, and the the reader. 

Micro Review 44 (non fiction November)

 

Hidden Hands: The Lives of Manuscripts and Their Makers by Mary Wellesley (Quercus Publishing)

Our recent trip to Winchester and the chance to see the incredible Bible (and other books) they have in the Cathedral re-sparked my interest in early books and manuscripts. When not working from home I am lucky to work in a library with its own incredible archive and early book collection. It has always felt a privilege to have the chance to see such beautiful works with ease. (You can read more about the wonderful Norfolk literary archives here: Unlocking the Archive and more details about the Norfolk Heritage Centre here.)

Hidden Hands couldn't have been published at a better time for me!

Wellesley takes us through all different types of manuscripts and we learn about the people who wrote, illustrated and commissioned some of the most beautiful books to be found in the UK.

To make this book even more ideal for me there's a lot of focus on works that come from Norfolk!

You don't need to be an academic to read this book, just have an interest in history, books and art - it made me want to dig out my calligraphy books and pens again that's for sure! There are some wonderful little details in many of these manuscripts and I spent nearly as long poring over the colour plates as I did reading the book.

I was so pleased to find a copy of this book from an independent publisher in an independent bookshop on National Bookshop Day - and even more pleased I treated myself to the gorgeous hardback rather than waiting for the paperback.

Micro Review 2

Mudlarking by Lara Maiklem

Since the whole Coronavirus (Covid-19) outbreak started the one thing I have discovered about myself is that water and water landscapes are very important to me. The three months of serious lockdown became the longest time I have ever not seen the sea, and I think that I would have gone stark staring mad if we hadn't found some riverside walks close to home.

Similarly a visit to London that doesn't include sight of the Thames also feels wrong to me and I can only image Maiklem's relief at being allowed back on the foreshore again.

This book is split in to sections, generally divided by the bridges and Maiklem talks if her finds and the history of each area specific to the river bank. For a mudlarker there are certain things that are 'holy grail-like' it seems as well as each person having their own special treasures, patches and stories to tell.

At a time that you can't travel this is a wonderful read, and it makes me want to comb the banks of the Thames at low tide next time I am on the Southbank with some time to kill.

When we were younger my sister and I did a little mudlarking of our own when visiting our aunt and uncle who lived by the coast in an area that was once a brickworks. The foreshore there was full of curiosities, pieces of china and glass and when the tide (and mud) were right we would comb the area looking for bottles and the like. This book brought back those happy memories too and so another reason why I see this one ending up in my top reads of the year in a few months time.

As I was writing this post a Tweet scrolled by saying that Mudlarking has won the non-fiction Indie Book Award 2020 a fact that has made me very happy!

Following on

The Ratline by Philippe Sands

Back in 2016 I was blown away by Sands' first book East West Street I reviewed it in the middle of the year here and it remained one of my tops books of the year when I came to do my round up.

I was a little concerned about The Ratline for two reasons - 1) it is a second book and they can always be tricky & 2) it is another book about the guilt (or not) felt by survivors of the Holocaust - would it just be too much like the first book?

Happily for me neither of my fears came true and while The Ratline does almost continue from the end of the first book (and definitely from the end of the documentary Sands made) it was completely different and taught me so much about Austria during the Nazi period and also the escape routes used by the Nazis as they tried to flee justice.

Thanks to a lot of the children's literature I've read regarding the Holocaust I was aware of how some of the history played out in Austria before, during and after the Anschluss but this has always been from the Jewish/resistance point of view and so to read about it from the other aide was equally fascinating and horrifying.

While I was aware that some high profile Nazis escaped Europe for a new life in South America I had never given any thoughts to how this happened and so read this part of the tale completely fresh. I knew that there had been complicity in some quarters - but just how much was eye opening.

At the heart of this book is Sands' relationship with the son of  SS Brigadesfuhrer Otto von Wachter as he tries to convince Sands (and the world) that his father wasn't a war criminal responsible for deaths of thousands of people.

Sands manages to tell the tale fairly and with an open mind but at the end you feel you know the truth and Sands' own feelings as well as if he'd been marching up and down in front of you with a banner.

This book has been published at the height of the Coronavirus (COVID-19) pandemic and so many of the events and publicity you'd have expected to see just haven't happened, although there are some good  online interviews and reviews to hunt out. I hope that this book isn't lost in the chaos and that it wins as many accolades as East West Street. I also hope that when the paperback is released the pandemic is receding and there are some events I can get to!

Ooops!

I had no idea that it was nearly 2 months since my last update - it has been a busy time but I think that I blame the heat/humidity since our return mostly for this big gap.

We had an amazing time on holiday, we were incredibly lazy while there and spent 13 out of the 14 days lounging around catching up on sleep, reading and sampling the wonderful local food & wine.

While by no means reaching pre-haemorrhage book totals I had made the right choice in saving up some of the fiction releases from the past few months and I think that these two in particular will feature highly on my end of the year round ups...


Those Who Were Loved by Victoria Hislop

Hislop has returned to modern Greek history for this book, and it charts the story of one Athenian family through the turbulent twentieth century. I knew that Greece had swung from right to left politically as well as from monarchy to junta but not a lot of the detail.
Hislop has told this tale through the story of four siblings and their grandmother and this allows all sides of the political spectrum to be explored as each character has different ideals.

My one reservation with the book is that I found the ending a little rushed, I wish that it was a two-parter. I wanted to spend more time with all of the characters!

A Thousand Ships by Natalie Haynes

This is another Greek book but this one took me back to the end of the Trojan War and was everything that Pat Barker's Silence of the Girls wasn't.  The premise in this retelling is that the poet Homer is trying to compose his epic tales but is a little stuck for inspiration, he has called on a muse to help and she is telling him the tale but from the viewpoint of all the women swept up in the chaos. 

This was a great retelling of the Iliad and Odyssey and I liked the way the stories wove themselves together in a way that was utterly modern (and very funny at times) and yet reminiscent of the classics from Homer onwards. I'm loving this vogue for retelling the classics and hope that there are lots more to come.

Now we're back home a lot of my reservations from the library have come in, and I'm reading for one of my non-bloggable projects, so hopefully I'll have more books to talk about soon.

100 and counting

The Century Girls by Tessa Dunlop

1918 was a momentous year in so many ways - the end of World War One, the partial granting of the vote to women and the murder of the Russian royal family to name but a few. It was also the year my nan was born.

Because of this last fact I was fascinated to read Dunlop's Century Girls. Not all of these remarkable women were born in 1918 but they are all around the same age. They come from all walks of life and have lived fascinating, normal lives.

While obviously none of them lived the same life as my nan there were little tidbits in each narrative that I knew could have been applied to her. It was a good mix of rural and city tales plus remembered those who were originally born in Empire countries. The women also span all economic classes which brings in very different view points too.

The book is mostly told in a chronological fashion, taking bits from each remarkable lady to make a rounded, female, history of the last 100 years. The book is wonderfully chatty in style but never overly sentimental. I loved it.

My nan - 26th June 1918- 14th April 2008

(picture from my sister)

Too impatient to wait any long to talk about a book

Book Review Meet Me at the Museum by Anne Youngson

(many thanks to Netgalley for the advance copy of this title)

It feels like I've been waiting to talk about this book forever and although it isn't officially published until mid-May that is less than a month away so now is the time to pre-order with your favourite bookshop or to get an early reservation in at your local library.

Anyhow back at the start of the year when I was still really quite unwell and despondent because I hadn't managed to read any fiction for over a month I saw people talking about this book on Twitter and then in lists of 'books to watch out for in 2018.' It sounded just my thing and I was approved for an advanced copy on Netgalley and then tentatively opened it up.

The joy - this book was written in an epistolary style and while the letters crossing to and fro the North Sea did link to each other as the tale unfolded they weren't forming a long, continuous narrative. The letters themselves were also reasonably short and so I could really stop and start with  as I needed while thanks to the format the story was almost recapped in each new letter so I was always able to pick the plot up.

This is a very gentle novel and is primarily about Tina, a Suffolk farmer's wife, and Anders, a Danish museum curator. Slowly we learn about them - their lives, families, thoughts and sorrows - nothing is off limits however hard the topic may be. Letters allow both characters to share their inner most thoughts and a real, believable, friendship grows between the writers, and I was so immersed in their worlds that I almost felt guilty for reading their private letters.

There are twists and turns, I didn't spot most of them coming but they all felt convincing - I hope that this is true for all readers and not just because I was ill when I read the book. Reviews are comparing this to another of my favourite books, The Guernsey Literary and Potato Peel Pie Society, and I can definitely see why - and not just because the book is made up of letters. It is a gentle story but with a realistic edge that stops it becoming saccharine sweet, it also doesn't take the easy or obvious route which was a nice touch.

The final selling point for me was that while most of Tina's story takes place in Suffolk, around Bury St Edmunds, there is also a trip to a couple of archaeological sites in north Norfolk. I was aware of the Warham Iron Age Fort (and indeed have visited it) but I didn't know that there was also an Iron Age Barrow in the area and I plan on luring Mr Norfolkbookworm to visit it soon with the promise of a pub lunch...

Even a few months on from reading this book I am still not managing to read long or complicated fiction books but this one will always be special to me as it did show that I could still read and enjoy fiction and that mood boost was incredibly important.

Theatre 2017: Review Sixteen - Nell Gwynn

Nell Gwynn, Shakespeare's Globe, London. May 2016.

I am so pleased that this has come back to the Globe. In 2015, when it first played, I also didn't see it when in came to Cambridge in the hopes that it would return to the Globe like the rumours had suggested. When the day of the play came around it has to be said that my heart wasn't in it entirely - the lovely warm weather of April had morphed into some really cold, unseasonable, weather in Norfolk and the idea of sitting in an open air theatre wasn't appealing.

I am so glad that we went (this will be Mr Norfolkbookworm's only trip to the Globe this season). From the moment the play started I had a happy smile on my face and this just didn't slip for the entire performance.  The story is slight in many ways but it has a lot to say about the Nell's time and our own - Swale seems to be the mistress of making history speak to us without over doing it, while at the same time knowing that you can write with a broad brush for performances at the Globe.  The lines about how important the arts are and Brexit were utterly played to the audience but yet some of the quieter lines making similar points resonated just as well.

It is hard to write about a piece of theatre that I loved so much, I wanted to watch it again instantly and I am worried that if I write too much about it I will lose the magic. This was the ultimate in a feel good show and has set the bar high for the rest of the Globe's Summer of Love season.

Theatre 2016: Review Five

Mr Foote's Other Leg, Theatre Royal Haymarket, London. January 2016.

The joy of a weekend in London means the chance to see more than just one show and after Guys and Dolls our second show was this oddball.

Once more we went in knowing nothing about it, other than the fact that Simon Russell Beale has been fantastic in everything we've seen him in and I don't think either Rebecca or I were expecting quite what we got.

The story is that of Samuel Foote who was a theatre actor, manager, director and cross dresser in the latter half of the 1700s.  He was a contemporary of Garrick and Benjamin Franklin and lived an incredibly varied life,  he also had only one leg and was at the heart of a sexual scandal big enough to rival anything in the tabloids today.

The play is also by Foote's biographer and having read the programme notes it is quite hard to separate fact from fiction and as soon as I have finished my dissertation and have time to read about the theatre in a manner not connected to my specialist topic I will be hunting the biography down.

The play is very funny, very rude and very funny and shies away from nothing when it comes to making jokes, and I can see why this play isn't for everybody* but I'm afraid that is really appealed to my (warped) sense of humour and once I realised that it was pushing buttons to make you laugh and then feel guilty for doing so I was fine.

I very much liked the way that it brought in lots of minor points about the history of theatre and Shakespeare in the eighteenth-century, it was like seeing some of the drier texts I've read over the last few years come to life in front of me, a little like happened when we saw Red Velvet.

Act One ends very dramatically with Mr Foote saying something along the lines of 'how do you top that in the second half' and I did find this to be fairly accurate. For me the story arc wasn't quite so clear after the interval, but it was interesting to see how an over the top character can all too easily tip over a line and go from funny to offensive in the blink of an eye.

Several times the play appeared to break the fourth wall and address the audience, but in fact this wasn't quite the case - the cast were addressing an audience but it was the audience of their time and not us. This made the call for a 'doctor in the house' very odd as just for a minute I wasn't sure which audience was being addressed. Later, when Foote dries on stage, it isn't the modern audience heckling him and causing him to respond but 'his' audience which gave the me a very other-worldly feel, and let me feel the history of the theatre and the 'ghosts' very clearly.

The nicest bit of the play was that it had transferred from Hampstead to the Theatre Royal Haymarket as this was in fact the theatre in which the play is set - a nice (probably intentional) circle of history. It was also fun to know that a theatre I now see as being a very 'proper' building once had such a turbulent past.

I'm glad that this transferred to the West End and that we managed a trip to London before it closed as I think this is a play I'd have been really sorry to have missed.

*I wish the couple sitting next to me had left at the interval like they talked about as their audible disapproval was most off putting!

Theatre 2015: Review Twenty-Two

Richard II, Shakespeare's Globe, London. August 2015.

This was a surprise addition to my theatre going calendar as I was lucky enough to win tickets to this on Twitter. Well I actually won tickets to any Globe production this season but as it is my friend's favourite Shakespeare play (probably) we decided that this was the one we'd see.

It was also my friend's first visit to the Globe after listening to me rave about it for the past few years so I was a little nervous how she'd take to the space - it isn't for everyone after all,  To add to the pressure she'd also accompanied me to see Richard II in 2013 when we saw the RSC version.

I found this production much clearer in terms of plot narrative, starting the play with the coronation of a child  (which segued into an adult very well) showed that this version of Richard was all about a king who hadn't known any other way of life, hence why he was so spoilt and petulant.  The action unfolded naturally after this and there was a lot of humour in the staging, this childishness was also very movingly reprised at the end in a scene that did bring a lump to my throat.

This Bolingbroke was a charismatic and alluring figure, more so than the king, and thus it was easy to see why people did follow him so swiftly.  He also managed to foreshadow his future as shown in Henry IV (parts one and two) which was a nice touch. In this version Aumerle was more of a sycophant to Richard than anything else and his treachery treated very well.

This isn't a play that allows a lot of interaction with the Groundlings and what there was came naturally and wasn't over played, as with the rest of the season however I did find that the space was used a little too much for entrances and exits.

The comic scenes were typical Globe moments and worked wonderfully within the play, they kept the plot moving and were not at all comic asides or pauses in the action. The love between Richard and his Queen was another beautiful thing to watch.

My main criticism with this play remains the same as before - unless you listen very, very closely to the words - you are left not entirely sure why the king is as 'bad' as he is and why he has to abdicate. There is no flowing hair or homosexual undertone in this version and I came away feeling that poor Richard really got the thin edge of the wedge. My friend and I were debating this after the show, and both agreed that occasionally we found his lines to be rushed and wondered if this was a directorial choice and a way of showing his instability and unsuitability...

I am revisiting this play on the very last day of the season and I am pleased to have a second chance to see this play as it is deceptively complicated and there are a lot of little details I want to see again.

Theatre 2014: Review Twenty-Seven

Antony and Cleopatra, Shakespeare's Globe, London. August 2014.

This was a postponed play, Mr Norfolkbookworm and I had booked to see this in May but due to the illness of Clive Wood the performance we hoped to see was cancelled and we had to rebook.

It was worth the wait and I am really pleased that we did manage to fit a performance in before the end of the run.  From start to finish this was full of energy, laughter and fun with characters who were totally believable.

For me Antony was a perfect mix of upright soldier who tried to do his duty and a man who had his head turned by a clever, beautiful woman who was completely his equal rather than subservient to him.

Cleopatra was wily, clever, fun, intelligent and just a little insecure and the chemistry between them sizzled throughout.  However they didn't over shadow the rest of the cast, it still was a full ensemble piece that didn't have a weak link.

I'd read the play a little while ago and found myself unsure as to whether it could be labelled as a history, tragedy or comedy and I found that this production married all three aspects whilst leaning towards comedic end of the spectrum the most. There were moments of glorious over acting, thanks to the text not hammy performances, but these were balanced by the drama given to more serious scenes.

Performing battles at sea is never going to be easy on the stage at the Globe and I was very impressed by the portrayal of Actium using just two actors, two flags and some very clever rope work.  The outcome of the battle was very clear and this almost trapeze work made a complete change in pace to the play without spoiling the flow.

Without a doubt this has leapt into my top 5 plays of the year so far and if it hadn't just finished I would urge you all to see it. Luckily it has been filmed and will hopefully be out on DVD (or in the cinema) next year.

After the show there was a special event for Friends of the Globe and we got to spend 45 minutes in the beautiful Sam Wanamaker Theatre hearing 3/4 of the cast talking about the play and answering questions from the audience.
Rightly so a lot of the conversation involved praise for the cast and production but from my studying point of view it was really interesting to hear how the actors feel about performing at The Globe.  I've read a lot of critical work on the space but to hear from the horses mouth about how different, yet rewarding, the space is pleased me.  Many of the cast made the point that it really does make Shakespeare more accessible - as I've certainly found.

This made a perfect end to the afternoon and I think that next season I may try to get to more of these events and I am pleased that Rebecca and I have tickets to the pre-performance talk for Dr Scroggy's War in October.