Books of the Year (and related thoughts) for 2024

 

2024 Reading Round Up.

Well another year passes and once more it has been book-filled with a mix of reading for projects and pleasure... while I have read about the same number of books as for the past few years fewer have leapt out at me as potential books of the year.

While I am still enjoying trying all of the Japanese and Korean books in translation that are breaking through to the UK market I might be reaching saturation point when it comes to ones set in cafes or restaurants with cats... I also noticed that lots of books set in the former East Germany (and covering reunification) crossed my reading path in 2024. I would like to read more nature writing/travel books by women so will be actively searching them out in 2025.

Before I share my reads of the year some statistics...

• 65% of books have been by women, or with women listed as the lead author.
• 58% of the books I've read have been fiction 
• 42% non fiction 
• 21% of my reads have been in translation
• 8% of the books were written with a children or YA audience in mind (probably the least I've ever read in this genre)

Narrowing the books down to a top 10 proved impossible and instead I have 24 books for 2024.

Fiction

El Hacho by Luis Carrasco (Epoque Press)

Berlin Duet by S W Perry (Atlantic Books)

The Instrumentalist by Harriet Constable (Bloomsbury)

The Glassmaker by Tracy Chevalier (Harper Collins)

The Ministry of Time by Kaliane Bradley (Hodder and Stoughton)

Brandy Sour by Constantia Soteriou, tr. Lina Protopapa (Foundry Press)

The Silence in Between by Josie Ferguson (Transworld Press)

One Grand Summer by Ewald Arenz, tr. Rachel Ward (Orenda Books)

Lula Dean's Little Library of Banned Books by Kirsten Miller (Harper Collins)

Le Fay by Sophie Keetch (Oneworld Publications)

There Are Rivers In The Sky by Elif Shafak (Penguin Books)

Letters from the Ginza Shihodo Stationery Shop by Kenji Ueda, tr. Emily Balistrieri (Bonnier Books)

The Lover of No Fixed Abode by Carlo Fruttero & Franco Lucentini, tr. Gregory Dowling (Bitter Lemon Press)

Non Fiction

High Caucasus by Tom Parfitt (Headline Publishing Group)

The Vanished Collection by Pauline Baer de Perignon, tr Natasha Lehrer (Bloomsbury)

Alice's Book by Karina Urbach, tr. Jamie Bulloch (Quercus Publishing)

Broken Threads by Mishal Husain (Harper Collins)

Cull of the Wild by Hugh Warwick (Bloomsbury)

A Ride Across America by Simon Parker (Duckworth Books)

The Place of Tides by James Rebanks (Penguin Books)

What I Ate In Once Year by Stanley Tucci (Penguin Books)

A Cheesemonger's Tour de France by Ned Palmer (Profile Books)

Sapiens: A Graphic History vol. 1 by Yuval Noah Harari & David Vandermeulen, illus. Daniel Casanave (Vintage)

Slow Trains to Venice by Tom Chesshyre (Octopus Publishing Group)

I am slightly surprised that in the end that slightly more than half of my top reads are by men, when compared to the overall ratio but pleased that a quarter of my best books were in translation. I've also tried to read more from independent publishers this year and I think that this is reflected in my top reads too.

I think that my absolute favourite book of the year is Tracy Chevalier's The Glassmaker although if you ask me tomorrow this could change to The Silence in Between or The Place of Tides!

Micro Review 16 (2024)

 

The Secret Christmas Bookshop by Cressida McLaughlin (Harper Collins)

A small disclaimer here as I do know the author and have worked with her on several events in my past role.

I don't read an awful lot of books in this cosy romance genre, and every time I do read one I ask myself why as they are great fun. Perfect for just curling up on the sofa, with a mug of tea, and losing yourself in the story.

To be fair once the characters are all introduced you have a fair idea of just how the book is going to end but the fun is in discovering how they get there and in this one the journey was very nice - and involved two of my favourite things - books and beautiful notebooks.

As well as the festive setting and romance this book also has a couple of more serious messages, including about the care system and also the decision to move away from what looks like an ideal childhood. The other very poignant one was about the decision surrounding putting a relative in a care home rather than looking after them yourself and how no one outside the family knows the whole story and so shouldn't judge and make comments.

These serious points didn't detract from the romance element at all, and also weren't crowbarred in to the story - they just added to the setting and made the people seem more real and less fairy tale.

An added plus to this book is that it is set in North Norfolk and I had great fun spotting which real locations Cressida and melded into her fictional town!

I can't say that I felt any more festive after reading the book, but I did feel all warm inside and it helped block out the frightful weather for the couple of afternoons I spent reading it!

 Thanks to Harper Collins and NetGalley for the copy of the book.