Theatrical Interlude 24

Sunday Double Bill, Lyttleton Theatre at the National Theatre, London. December 2012

I think that the general feeling was that Rebecca and I were slightly insane in planning a theatre trip to London less than 10 days before Christmas but we're afraid that the lure of two new Alan Bennett plays was too strong.

After some freezing cold and dreadful weather we were very lucky and spent the morning wandering along the South Bank's Christmas market in glorious (and for December)warm sunshine.  An indulgent lunch followed before we settled in to the circle at the Lyttleton for the first of our two playlets.

Hymn

This is  a collection of memories and micro essays from Alan Bennett set to live music.  The set is very sparse, just an armchair and side table plus 4 seats for the string quartet. The musician appear first and were very talented then Alex Jennings, looking and sounding very much like Alan Bennett, walks on and starts talking.
The snippets were humorous, moving and educational and the music sublime although just occasionally I lost some of the words due to the volume of the music.

This is a very short piece, just 30 minutes and then we left the theatre for the 45 minute interval - the idea is that you indulge in a nice Sunday tea but we were too full form lunch so browsed the bookshop and then looked at the Landscape Photographer of the Year Exhibition.

Cocktail Sticks

The second of the two plays is longer, and more traditional although there are still musicians on the stage.  This time the play starts with Alan Bennett clearing his parent's house and coming across a packet of cocktail sticks in the kitchen cupboard.  From here it becomes a narrative tale with Bennett's memories and thoughts about his life being told and at times re-enacted by his parents and various other people.
A cast of 5 (Alan, Mam, Dad and 2 people playing everyone else) tell over 40 years of family history in just over an hour and in that time the audience is taken on a really emotional roller coaster journey - such as only Alan Bennett can.

The stories weren't new to me as I have read Bennett's books of autobiography/memoir but this didn't matter at all - hearing them in Alan Bennett's voice and acted out made the stories live even in a way that Bennett's writing hadn't.

These are two very odd pieces of theatre that were both sublime.  They were odd because unlike so much theatre I think that you really do need to be older to understand and appreciate them.  If you have no experience of his themes you won't understand either the humour or the sadness.

The best bit? Bennett's take on the line "they f*** you up, your mum and dad"

This isn't my last theatre trip of 2012 but was the last with Rebecca and very soon I shall have to work out my top 10 shows of the year.

I'm loathe to do this yet for as I started to do this with my books of the year but then in the past 3 days have read 2 books that have been fantastic and who knows what I'll think of the last play!

Time to celebrate

6 Years in a row!

Whilst the headline in this news article is very depressing the fifth paragraph has made me and a lot of other people happy today.

For the sixth year in succession the Norfolk and Norwich Millennium Library has retained the status of busiest library in the country.

In fact we have retained the double crown - we issue the most books of any library in the country and we have the most visitors through our doors.

We know we can't rest on our laurels - there are lots of other fantastic libraries out there all of whom would love to take our crown but thanks to the support of our customers, a County Council that sees the benefits of a world class library and all of the guests we've hosted we can add this celebration to Christmas 2012.

I am well underway with event planning for 2013, January looks exciting and then in February we are working with the British Library and the Paul Hamlyn Foundation to bring their Writing Britain exhibition to the city.  The British Library are loaning us some items and we have a full week of events planned to celebrate this.  More details will be coming early in the New Year but it you are on Twitter please do follow the project to keep fully up-to-date with our plans.

Theatrical Interlude 23

One Man, Two Guvnors, Norwich Theatre Royal. December 2012.

Norwich is getting some great London shows at the moment (and next year's brochure looks just as exciting) and I was very pleased to have the opportunity to see this without a trip to London.

I missed the initial buzz around this play when it opened in London, and to be honest the original lead wasn't someone that I particularly liked but after winning so many awards I realised that I'd be daft not to see One Man, Two Guvnors when the chance arose.

I knew that it was a comedy based on a style of theatre from years ago but nothing more than that, and again the not knowing worked very well. The show started with a very good quartet playing guitars, double bass and washboard. The theatre was noisy with people arriving and I couldn't tell if the songs were original or music from the era (late 1950s/ early 1960s). They were very good and it made a nice start to the evening.

To explain the play and plot is nigh on impossible - it is farce, pantomime, melodrama and totally ridiculous...but very funny. As the audience you can see everything that is going to happen it doesn't matter, in fact as the cast address the audience directly throughout it is hard to remember sometimes if you are seeing a stand up comedy show or a play.

The first half was brilliant, I was giggling like a loon throughout and even the audience participation worked a treat - never has the phrase "normal for Norfolk" been more apt. I'm not a great one for slapstick comedy violence but the restaurant scene was just perfect.

The second half didn't quite hit my funny bone in the same way, the humour became a little cruder and the script felt like it had run out of steam. 

The actors gave it their all throughout even if events and interjections caused them to corpse more than once - who knew Swaffham could cause such hilarity?!

It was still a fun evening and for once seeing a comedy alone didn't matter - the play was funny enough to overcome the need to share the emotion - but Noises Off* remains the funniest thing I have ever seen in a theatre.

*luckily for me (and Mr Norfolkbookworm) the Old Vic are touring Noises Off next year and Norwich is one of the cities it is coming to. Time to book some tickets I feel!

This is a post to shock my dad...

Strange Meetings by Harry Ricketts

... well this is a book review post to shock my dad (and many others that know me)

I think I've read a book that could be my book of the year, and it is about poetry and poets.

Now while I'm not a poetry fan normally I've always liked much of the poetry that came out of the First World War, for once studying a topic didn't put me off totally.

This book isn't about the poetry primarily but more about how the lives of the famous war poets were linked - either intimately, casually or via the six degrees of Kevin Bacon.

All of the characters came back to life on the page, they were neither demonised nor lionised and the excerpts of poetry complement the biographies perfectly. 

I can honestly say that I almost missed my train stop on Saturday as I was reading this, it really was an undignified scramble to get off the train in time! I've been recommending the book left, right and centre since finishing it and that makes only the 3rd book this year that I can say that about.  

It won't be to everyone's taste but I was blown away by the book.

Exhibition time

Staging the World, The British Museum, London. November 2012

Before our recent trip to the ancient Rome at the theatre Rebecca and I mixed our eras by finally getting to the Shakespeare exhibition at the British Museum.  

We cut it a bit fine for this as the exhibition closes on November 25th and has been open since mid July.  It was worth the wait (and the very early start) as from the very start the exhibition was fascinating.

The exhibition is split into 9 areas that you wander through and is crammed full of artifacts, books, history and films of actors reading famous speeches.  The first bit, Shakespeare's London, was busy and a lot of the items on view were items I'd seen before but once through there I was spellbound. 

I think that The Forest of Arden, The Medieval Past and The Classical World areas were my favourite parts, possibly because these areas reflected the plays I've seen or studied most recently. At present, and for many reasons, I feel that Henry V is my favourite play and there were lots of displays bringing this to life.

We spent well over an hour wandering around the exhibition and I certainly feel that I now understand the world of Shakespeare a lot better.

I think for me the best item was the very early theatre review - who knows perhaps in 400 years some of my theatre reviews will be used in an exhibition like this one...

Theatrical Interlude 22

Berenice, Donmar Warehouse, London. November 2012

Now the nights are longer and the days colder the early starts and late finishes that a day in London necessitates are becoming less appealing but I know that once I get over that the trips are going to be fun.

I have in fact made four trips to London in just 10 days. Once to see a comedy tryout, once to go to the London Aquarium with my sister and nephew, once for a Sherlock themed fund raiser and then lastly to go to the Donmar Warehouse with my usual theatre going partner in crime.*

Not knowing anything in particular about the story we chose this play solely because this adaptation has been written by Alan Hollinghurst who is one of our favourite authors.

The Donmar Warehouse is fast becoming one of may favourite venues in London. I can't say I'd necessarily like to see a very long play there as the seats are padded benches but the space is so intimate and cosy that I feel at home as soon as I enter the auditorium.

Berenice is set in Rome just after the death of the Emperor Vespasian. His successor Titus is in love with Queen Berenice, a non Roman.  Vespasian disapproved of the match but now that Titus is in charge Berenice is just waiting for his proposal. Life is never that simple and when another suitor appears and all of Rome disapproves of the match then you know things aren't going to go well...

The play is formed of long speeches rather than snappy dialogue and has a very sparse set - the only props are two chairs, a staircase and a dagger. None of this matters, the actors make it a very intense and captivating play, odd in the extreme but compelling. The ending is also a surprise in many ways and that was really pleasing to me.

I still am unsure why a play set in the Golden Palace, in the heart of Rome, was full of sand, even falling from the roof of the theatre but I loved it and I am now going to have to search out a fuller (translated) version of Racine's original play.

The Berenice set from our seats in the circle, sand and all!

*My theatre-going-partner-in-crime is now fine with me revealing her identity (as she told me in no uncertain terms on Saturday) and so to find out more about my talented friend Rebecca please do check out her website!

A long time ago

Heffers Classic Festival, Cambridge, November 2012.

While theatre and Shakespeare appear to be my new favourite things my love of Greece and Italy and of the stories from antiquity are still high on my agenda

Retellings of Greek and Roman myths and legends are books that I am always drawn to. Just this year it became clear that I wasn't the only one as Madeline Miller won the Orange Prize for Fiction with her retelling of the story of Achilles, Patroculus and the Iliad. I've blogged before about my love of the Roman Mysteries by Caroline Lawrence too.

It isn't just the stories that I like, the histories and architecture also captivate.  Seeing that there was going to be a dedicated to the classics nearby I booked tickets as soon as they were available.

The day was well organised and scheduled, with several sessions though out the day all featuring 3 or 4 speakers. Limiting the talks to 15-25 minutes was good in many ways - if the topic didn't appeal you knew it was only short, and also you got to hear loads of ideas. BUT every so often I really wanted to listen to all the ideas the speaker had!

What I liked most about the day (apart from the chance to chat to one of my favourite authors!) was that the talks were pitched perfectly - they were neither too simple and thus patronising nor were they so academic that I was lost at any point.

My book list has grown incredibly, and I now want to travel extensively through the Greek and Roman world. I don't think I'll try to learn Latin though!

Roll on the 2013 festival.

Theatre at the Pictures

Timon of Athens, National Theatre Live, Cinema City, Norwich. November 2012

Thank heavens for whoever had the wonderful idea of broadcasting London productions into cinemas around the country (and indeed around the world).

This is the only play from season of National Theatre Live that I've seen at the cinema - one play I'd seen at the National and the other I missed due to having the lurgy.  I'm glad that I went out on a cold, wet Thursday night for this production, which was in fact was the very last performance of the play's run.

I've established over the last year that I prefer my Shakespeare performed as at the Globe so I was a little concerned about this version as it was totally up-to-date and had a definite setting of 2011/2012, however the draw for me was Simon Russell Beale. Everything I've seen him in has been great!

The play is all about money and how fickle people are - when Timon appears rich and lavishes gifts on his friends and entertains extravagantly everyone loves him, as soon as they realise he is bankrupt they all desert him.  The second half is all about Timon's life as a destitute person, and what I saw as his descent into controlled madness.

This is very much a play of two halves, and I preferred the first, but the acting was incredible and all credit to the National Theatre and the actors for making me see that Shakespeare can work in an updated form in a traditional theatre.

This is one of the plays that Shakespeare wrote with another author and Nicholas Hytner, the director, did say in the interval film that they had to alter/add to some scenes just t make the play make sense. Not having read the original I think that they did a good job, from start to finish I could follow the story and no lines stood out as being 'modern' despite the updating. Several people in the audience were unsure of making some roles female (the steward for example) but for me that was the only way that the play could have stayed realistic with the modern setting. 

Seeing this at the cinema was ideal, the expense of a trip to London for this would have been okay but the convenience of trying something I was unsure of close to home was just right.

Theatrical Interlude 21

Fantasia: Live in Concert, Royal Albert Hall, London. October 2012

I think I am a bad influence on my family as this was an outing to the theatre with yet another member of the clan.

Joking aside I was very lucky to be invited on this trip and it was in fact my sister's birthday present from her husband.  Both of us have been Disney fans since we were little and I think that when Fantasia was released on video for the first time way back in the mists of time it was in fact the first pre-recorded film our parents gave us.

The luxury of the Royal Albert Hall was just what we needed on a damp, dreary October Sunday. We were sat up in the circle with a lovely clear view of the screen and the Royal Philharmonic and as soon as the lights dimmed and the music started we were swept away.

There were a lot of children, unsurprisingly, in the audience and one of the most magical things about the afternoon was their gasps of wonder/amusement as the film played. I'd forgotten some of the music/animation but what an experience for those lucky enough to be seeing bits of the films for the first time in such a setting.

My favourite scenes from Fantasia 2000 were both performed live - Gershwin's Raphsody in Blue and Elgar's Pomp and Circumstance (with Donald Duck) but sadly the Dance of the Hours performed by the hippos wasn't included.

The whole afternoon left me with a big smile on my face and I'm sure you can guess which films haven't been out of my DVD player since I got home...must put the Blu-Rays on my Christmas list!

A huge thank you to my sister and brother-in-law for making this trip possible - the 6 hours on the train were totally worth it!

Wide range reading

My reading is more eclectic than usual at present and I am loving the experience.

In addition to the challenges being presented by the two reading groups I belong to (International Fiction and Forgotten Gems) and my own choices of books for fun, I am also reading through an exceptionally long longlist of books that are being considered for inclusion in a promotion next spring and summer.

This list is so long and varied and contains so many books that I'd never (probably) have chosen for myself that I have asked other people to just hand me books to try.

So far I've read through 5 new books and all have certainly caught my attention in one way or another.  It is an odd feeling letting someone else choose what you read - not bad, just odd.  It isn't like studying or book group where you 'have' to read the book. It isn't like a recommendation from a friend. But it is like both of these things - with the advantage that if you don't like the book you can stop AND you can be honest and say you didn't like it with out fear of offending the person who gave it to you.

I'm liking the experience and I'm thinking that maybe when the final books are chosen I might ask random people to just hand me a book every so often.  My reading is generally very varied, but I do have a preferred type and preferred places I go to for recommendations so this randomness may expand my horizons in many new ways....

Theatrical Interlude 20

Julius Caesar, Theatre Royal, Norwich. October 2012.

Trips to the theatre continue apace at present but for once this one didn't need a long trip to and from London.

Mr Norfolkbookworm and I had a night out in Norwich for this play, our first Shakespeare play from the RSC.

It was an innovative performance, rather than being in either Roman garb or Tudor/Stuart garb the play had been transported to vaguely contemporary Africa.  The language hadn't been updated at all but the dress and set could have been anywhere in Africa. Also in addition to tuning the ear to Shakespeare's language the audience had to also tune to an African-speaking-English accent too.

I enjoyed the play, but if I am honest nowhere near as much as I've enjoyed those I've seen at The Globe.  I have a feeling that I am a bit of a traditionalist with my Shakespeare and that for me seeing it performed in a setting and manner as it was written adds something to each play

The actors were very good and in a way the play did transfer very well to the new setting, I liked the way the musicians were integral to staging. The costumes were very effective in showing who was who and what side they were on - something that can become confusing in a political intrigue play. However at times I found myself almost giggling as the staging and music just kept making me remember the 1970s film version of Jesus Christ Superstar.

Another thing I learnt at this evening was that attending a serious and long play like this after a full and intense day at work was incredibly draining. Comedy and musicals are one thing but almost 3 hours of Shakespeare was a challenge.

I can't say that I won't seek out other RSC performances, but I know that for now my priority will be for those being staged at or by The Globe.

Theatrical Interlude 19

Twelfth Night, The Globe, October 2012

I'm a little behind (again) with reviews but this time I have two excuses - I came home from seeing this play and immediately developed nasty cold and then since feeling better Blogspot seems to have caught the same bug and hasn't really been playing ball as I've tried to post!

Twelfth Night was my fifth trip to The Globe this season and was the fourth and final 'new' play in the 2012 "The Play's the Thing' season. It was again an all male cast being led by Mark Rylance.

Like all of the plays I've seen at The Globe it was very,very good. The characters were brilliant and the whole piece worked well as an ensemble. I had been concerned that because Stephen Fry was in the cast that it would become a celebrity love fest for ten audience or that, because of his inexperience, the play would be dumbed down in some way.

I needn't have worried. Fry played up to the standard of the rest of the cast and like in all good plays I managed to forget who the actor was and just see the character. I'm not so sure that this was the case with all of the audience but I believed him as Malvolio.

This was another play that I was only vaguely aware of the story line in advance but this time I did find it harder to lose myself in the experience. This is no criticism of the actors/set/location just my personal reaction I feel - perhaps because of the germs that had yet to manifest themselves visibly?

As with Richard III this play is transferring to a traditional West End theatre in a few weeks and (perhaps) because of this the performance did seem more static than I'm used to at The Globe. This meant that due to the theatre shape and location it was hard to hear some of the lines when the actors weren't facing you, a problem that will be solved indoors with traditional seating.

I thought the confusion (as written by Shakespeare) of men playing women playing men was very well done (although some of the cast were more convincing that others!) as was the tender confusion of falling in love with what seem like the inappropriate choices. In these scenes this was by far the most romantic Shakespeare play I've seen.

This sounds like a negative review and my experience on the day was far from this, but I wasn't quite as buzzed leaving the 3hr+ play as I have been from the others this season. It was probably my least favourite Globe play this year but still in my top 10 of plays seen...and while I won't be rushing to see if I can get tickets for the West End transfer I wouldn't dismiss the idea of seeing it again. Who knows how much the cold I didn't know I had influenced my viewing!

Theatrical Interlude 18

Love and Information, Royal Court Theatre, September 2012

I'm currently dipping my toe back into the world of study with a distance learning course on theatre, it is interesting and one of the things recommended is to see a play by all of the playwrights on the syllabus - and if possible the actual play being looked at. Obviously the latter isn't easy but when the Royal Court announced they were premiering a new Caryl Churchill play I had to be pretty quick off the mark to make sure I got a ticket.

I'm not sure what I was expecting (I haven't got to the Churchill module yet!) but this really drew me out of my comfort zone.

I'd purposely not read reviews of the play but I had seen the star ratings go by and these covered a lot of numbers, but I knew that the Royal Court had a good reputation so I wasn't too worried. On the day I wasn't sure I wanted to go but that was more because of the glorious weather and spending what could well have been the last nice warm day of the year in a dark theatre just sounded daft.

I think I should have followed my gut instinct. This wasn't a play - it was 50+ scenes that weren't really related in any way, shape or form. It felt like a whole bunch of random sketches that were being tested to see which would work in a sit com or stand up comedy routine (in my opinion less than half of them).

There was no interval - and if there had been I'm not sure how many people wold have come back - it was just scene after scene in a blank white box with shockingly bright lights around it.

Some of the sketches were very funny, even when retold to family later, some were very moving and the actors without exception were very talented. For me though the simple lack of anything linking the scenes, or any knowledge of even why they were in the order they were, meant I couldn't relax into the afternoon at all. Perhaps I should have copied a lot of the audience and taken a large stiff drink into the auditorium with me!

It was an interesting afternoon in an interesting venue but for me the highlight was the couple sitting behind me arguing as they tried to remember which of them wanted to see the play "and for the love of God, why did they want to see this...thing!"

Marmite or Marmalade?

Paddington Races Ahead by Michael Bond

I had a hand made Paddington Bear toy as a child - he had removable boots, hat and duffle coat and in my memory was the same size as me - I'm still pretty sure he was larger than a normal teddy bear though as he did wear my out-grown red boots.  I had a lovely compilation book of Paddington stories too.

My first real memory of the visitor from Darkest Peru was when Selfridges made their Christmas Grotto all about the bear - from searching the Internet I see that this was in 1983 and in honour of his 25th birthday!
There was a special book published to coincide with this and I remember loving the bit  where Paddington inflates a giant boat whilst in the shop.
It was only this year that I saw the statue at Paddington Station for the first time and got a bit overexcited!

I got excited when I saw there was a new book due. Unlike many of the recent updates to old favourites the original author is still in charge so I wasn't worried I'd be disappointed.

Sadly, as ever, reading a childhood favourite as an adult wasn't quite the same.

It wasn't that I minded Paddington getting into a muddle over Oysters or even having his fish nibble his feet, Paddington has always lived in a timeless place. It was Jonathan and Judy that hit the discordant note, and the talk of them wearing jeans that jarred for me, along with them being drawn much younger than the text implied they were. I think it would have worked better for me if they had grown up while Paddington stayed the same and the children were now their children...

In my opinion the best chapter was when Paddington accidently drops into Hamlet being performed at the Open Air Theatre in London, but anyone who regularly reads this blog will be unsurprised by this!

Once I put thoughts of old favourites out of my head and lost myself in the new book it was fine but all in all I prefer the originals and the original pictures.  I can't wait until my nephew is old enough to sit and share Paddington's adventures with, complete with a plate of marmalade sandwiches of course... I think I'll start hunting for a copy of the original TV series on DVD now!

Theatrical Interlude 17

Cabaret, Theatre Royal Norwich, September 2012

I've started to infect my whole family with the theatre bug - this outing saw me accompanied by Mr Norfolkbookworm and my dad, although this time I only had to walk to the theatre and dad had to make the long journey.

I think he found it worthwhile.

I knew the vague plot outline of the musical, but from reading Christopher Isherwood's books and autobiographies rather than the famous film adaptation which I haven't seen.

I was a little concerned about the leads in this version - in casting pop/TV stars I was a bit worried hat the production was all about making money through sell out audiences rather than quality.

Happily I was wrong.  This is a musical that starts in a light hearted, comedic way with all the excesses of Berlin in the late 1920s and early 1930s clear to see.  As the story unfolds it gets darker and darker to the truly shocking ending.

Even as the story spirals into the horrors of the Nazi era there are moments of humour and  found the balance of humour and horror was very well done in this production.  I have read a lot of comments on discussion boards at people being horrified by audience members laughing at parts of the show, but if like me they didn't know where, for instance the song The Future Belongs to Me, ends up then the start is funny. And yes I did feel guilty for laughing by the end of the song.

Although it has a start studded cast I found that this was forgotten quickly and all of them were very good, I did find it hard to hear all of the words when Will Young was singing sometimes but I do think that might have been more to do with the sound at the theatre than his voice.  The costumes (and lack of them) were very good and the clever use of scenery made it easy to follow the many changes of location during the performance.  I think that the Swing really deserve separate praise as the moves and dances they performed were truly jaw dropping, especially on moving scenery.

It has been a week since I saw the show and I am still humming the songs, but after watching clips on Youtube I'm not sure I will hurry to watch the film, it seems very much of its time rather than of Berlin in 1931.

Swept up by the Summer of Sport

The Paralympic Games, 31st August 2012

After missing out on tickets repeatedly for the main Games I'd become a little disillusioned with the whole idea of the Games.  The disruption caused by the Olympic Torch Relay didn't improve my mood, then we had the Opening Ceremony and I was hooked.

Thanks to a tip off from a friend and an awful lot of website refreshing and shift negotiation with colleagues Mr Norfolkbookworm and I ended up with tickets to the Aquatic Centre and the Orbit Tower for the last day of August.

An early start from central London in glorious sunshine set the tone of the day - it was brilliant from start to finish.  We got off the Tube at West Ham and walked along the Greenway into the park and as the stadium got closer my excitement grew.  Security checks were fast and efficient and once we were in the Park we had time to grab coffee, juice and breakfast before going into the Aquatic Centre.

Our seats were right in the centre just under half way up and we could see everything.  Amazingly the pool area wasn't too hot and didn't smell of chlorine some really enjoyed seeing elite athletes give their all in the heats. We aren't ardent sports fans and so didn't recognise any of the swimmers at the time - after the past 11 days I now know many more! This didn't matter at all as we were just spellbound and cheering for everyone, especially when Paralympic records were broken.

After our session in the Aquatic Centre we wandered around the park, revelling in the space and beauty of the area and then we had our trip to the top of the Orbit sculpture...

...this was a bit of an extravagance but it gave us the chance to see over the whole Park, into the Stadium and across in to London.  I also found the structure beautiful and the red of the metal against a blue summer sky very eye catching. While we were at the top the athletics finished and we saw just how busy the park gets when 80 000 people start wandering around!

Lunch beckoned after this and we had a lovely Mexican meal in World Square before visiting the London 2012 Megastore. After this we were beginning to flag and so decided to leave before the evening rush hour but even then strolling towards the exit along the canal bank we found more to see - including Gloriana, the Queen's specially built Jubilee barge.  It was a fantastic day and we are both so pleased we got tickets and could take part in this fabulous event.

Theatrical Interlude 16

Taming of the Shrew, The Globe Theatre, August 2012

This was again a play I was a little nervous in seeing, not because I had any doubts about the performance itself but because it was a long awaited treat for my mum, and her first visit to the Globe.

Our seats were in the Upper Tier but dead centre and so we could see almost all of the action, barring a tiny amount that took place on the catwalk-esque thrust part. The first thing I noticed about the staging was how much scenery there appeared to be compared to the sparseness of the last two plays I'd seen there.

The start of the play was a little bit of a shock and was very unexpected (The play runs until October 13th so I won't 'spoil' this) but very quickly became a familiar Globe production. I didn't know the story behind this play at all before seeing it, I'd just been told that it was a problem play that I might find hard to swallow.  I didn't and I loved it from start to finish.

For me this version was funny, poignant, bawdy and brilliant. While Petruchio does try to tame Katherina I found this version wasn't about the subjugation of women but more about a couple having to both compromise for a marriage to work.  The relationship between Katherina and Bianca also had moments that felt very familiar, nice to know Shakespeare got the female sibling rivalry spot on as well as other family's feuds!

The costumes (or lack of them!) were fantastic as were the songs, musicians and the jig at the end. While there were lots of laughs throughout I do think that the kicking of the bucket scene stealing was my favourite!
As mum and I said to each other, if every school child saw a Shakespeare play like this, or even just at the Globe, he'd never be classed as hard work or dull again.

Like my dad earlier in the month I think mum had a great time on her first visit to the Globe and she now has her fingers crossed that her other favourite plays will be in the next season's run!

Book reviewing at a funny time

It is a funny time to be reviewing books at present. A pretty big scandal broke in the book world over the past few days. Authors have been creating false names and accounts on Amazon (at the very least) to positively review their own books and to do the same but negatively to their rivals.

I don't review on Amazon - the closest I come is leaving feedback on 2nd hand items! From the outset I think I've been honest if a book was won, a proof or by a friend. My views are all my own and there is even a picture of me on the blog.

Enough disclaimers. I actually started this post to review a book I won in a Twitter competition:

How to Save a Life by Sara Zarr.

This is where I start with a confession to the publisher - I wasn't paying too much attention when I entered the competition. I saw the publisher and the title and thought it would be a simple, non fiction first aid book that would be great to pass on to a family member who is a Cub Scout once I'd read it!

When a teen novel appeared on the mat I was a bit nonplussed, but then I opened the book. 4 hours later, with a great deal of sniffling I closed the most fantastic teen novel I've read in years.

At the start I thought I knew where the book was going but it continued to surprise throughout and while the ending was happy it was totally appropriate for the story.
I don't want to say any more about the novel as I'd like for others to come to it as unprepared as I was. Not because a spoiler will ruin it, but because the plot may seem trite and something that has been done many times before - it isn't and it hasn't!

If I still worked in retail this is the book I'd be hand selling to everyone buying for a teenage girl this autumn/winter however I will be raving about it to all and sundry in the library service and hoping to get at least one book group (not necessarily a teen one!) to try it.

This was a real surprise gem and again thanks to Usborne for sending me a copy.

Theatrical Interlude 15

The Curious Incident of the Dog in the Night-Time, The Cottesloe Theatre at the National Theatre, August 2012

I've managed to get a little behind on reviewing after another busy fortnight, I 'owe' two theatre reviews, at least two book reviews and my thoughts on the Paralympics. In addition to this I am also trying to get my head around a new piece of technology that isn't intuitive when it comes to Blogging software. Bear with me and any dodgy formatting for a while please!

My crazy theatre going August continued with a trip to see the adaptation of Mark Haddon's novel The Curious Incident of the Dog in the Night-Time. This is a book I've read more than once and one that I read during my 2011 World Book Night Challenge  with that review in mind I am surprised I was so keen to see this play.

The play may just have dispelled all of my misgivings about the book, the staging and acting made it live in a way that the words on the page just hadn't for me.  The Cottesloe Theatre is a small theatre with seating in the round, and our seats were looking down on the stage. As the play started the theatre went totally dark, and with all black seating and walls I mean totally dark, then as the lights came up in the middle of the stage was a dead dog.

The play continued in such an innovative way all the way through with lots of moving of props by the actors - who were almost always on stage, just seated around the edge - to create new scenarios. Some of the scenes were created in almost a modern dance format as Christopher was bodily moved around the stage by the others to simulate, for instance, his wish to be an astronaut. The stage itself was a giant light board that at one point transformed into a realistic Underground platform, just stunning.

I am totally in awe of Luke Treadaway who portrays Christopher. This is almost a one man show and he carries it wonderfully, showing the wonderful mix of intelligence but also lack of understanding that is Christopher.  Paul Ritter, who plays the father, also deserves every accolade as he manages to create a very real dad, someone who cares deeply for his disabled child but also someone who is human and who snaps and can't cope at times.

I don't think I can find a thing wrong with this play, other reviews have said it was over long but that isn't something I found at all. It was possibly the most intense piece of theatre I have seen and as it is sold out at The National do try to catch it at one of the National Theatre Live events.

Theatrical Interlude 14

Richard III, The Globe Theatre, August 2012

I was a little concerned going into this play - it was the third play in just over 24 hours after all. Could this, the second play in as many days, really be as good as Henry V?

I must learn not to doubt - it was truly wonderful, but a departure from the preceding plays I've seen in this location as it was played with an all male cast.

I'd seen a few cast photos from this play before we went and I did wonder if I'd be able to believe that the female characters were female.  It was a little be of a shock at first but as with any good play this quickly became irrelevant and it was the lines that were important.

In my mind I'd always seen Richard III as a dark sinister character who was an archetypal villain but in this version Mark Rylance expressed his ruthlessness and madness through humour. Admittedly dark and often inappropriate humour but it was an intriguing way to play the role.

I also wonder if this play came closest to showing off The Globe as it would have been in Shakespeare's time as Richard III, and other actors, are constantly turning to the audience and encouraging participation.  It could have turned into a Shakespearean pantomime but the quality of the acting prevented this and I just felt I'd travelled in time.

The one thing I noticed with this performance was how relatively static it was - the actors didn't leave the stage and use the groundling area at all. This play is transferring to a traditional theatre in the West End later in the year and I do wonder if this has altered the staging at all.

All in all another wonderful production at The Globe, and I think a great introduction to the venue for my dad who accompanied us on this visit. I can't wait to introduce my mum to the venue when we see Taming of the Shrew in a couple of weeks.