Theatre 2017 - Review One: All the Angels

All the Angels, Sam Wanamaker Playhouse, Shakespeare's Globe, London. January 2017.

Wow - what a way to start theatre trips in 2017! This play had appealed to me from the instant I saw it in the Globe's brochure a while back, and I was sad that I couldn't get to those first performances. When it was announced that it was coming back for the winter 2016/17 season I knew I had to go.  I'm not sure Rebecca knew what she was agreeing to but she gamely took on board my enthusiasm and we booked seats.

How to explain this...it is the story of Handel writing and staging the first performances of the Messiah but it isn't a performance of the oratorio, nor is it a straight play about the writing process.  It travels from Chester to Dublin and is about redemption and the power of music. It is also a masterclass in singing and composing.  It was also utterly spellbinding and overwhelmingly powerful.

I've loved (the famous bits of) the Messiah for a long time and the power of the music was made clear to me when we heard excerpts performed at the Royal Albert Hall as part of their candlelit Christmas festival a few years ago.  Hearing the evolution of the music in the candlelit Sam Wanamaker was magical. The voices filled the space wonderfully and being both an intimate but still quite large space it was wonderful to feel the music filling the space.

The two subplots, one imagined and one real, did bind the music together and being interested in Shakespeare and performance history I really enjoyed Susannah Cibber's story while the Crow's provided a valve from the heightened emotion of the Messiah.

The use of the singers as almost actors was inspired too - they personified the power of music in a very clever way whilst being consummate professionals. Kudos to them all as they had to perform singing badly too which must have almost been harder than Handel's original.

I think that you can tell I loved this piece of theatre,  I could quite easily have sat through it again that day despite the discomfort of the seats. If this doesn't make my top 10 plays of 2017 then this year is going to be really brilliant in terms of theatre.

Now if someone can recommend a really good recording of the Messiah for me to listen to I'd be most grateful

True Magic

Book review: The Apprentice Witch by James Nicol

Huge disclaimer as James is a friend, but he hasn't asked me to review this book.

As a child I loved the Worst Witch books by Jill Murphy and as I wrote about recently I still enjoy the Harry Potter books now.  This book seemed to take bits from all the fantasy titles I love and make them better.

Arianwyn is an appealing character from the start, and as soon as I started reading I felt I knew her and that I wanted to be her friend. For the hero of a book she is neither too good, too perfect nor too hard done by.  Her nemesis and her friends are also well defined and her witches familiar is adorable. Possibly the resolution comes about a little too quickly but that might be due to the intended audience.

The book is aimed at a younger market than Potter, and slightly older than Mildred Hubble, but I think it has the potential to become a huge hit and a modern classic.  The book is complete in itself which is great but books 2 and 3 have already been commissioned which is brilliant news, I already can't wait.

I do have a few questions about Arianwyn's world that I want to ask James when I next see him but I will be buying a physical copy* ASAP and getting it signed for my nephew (he's a bit young yet but my sister or brother-in-law can read it to him) as I want him to be part of this world from the very start!

*I was in Greece for publication day of the book and so had to make sure I was on a wifi network to download the book as soon as possible!

Theatre 2014: Review Forty-One

The Snowman (ballet). The Peacock Theatre, London. December 2014.

Due to the pressures of Christmas, work and uni deadlines I didn't manage to get a review for this in before the end of the year, and indeed before I'd seen my first piece of theatre for 2015!

The magic of this show was so great in 2013 that my sister and I decided that a return was needed with my nephew and mum - who should have seen it the first time around but was too poorly.

We're pleased to say that the magic doesn't go away, every moment is just as good on a second viewing and as ever it was the response of both my mum and nephew that made it just that bit more special. It will take mum a long time to live down the audible sob that she gave as the Snowman and Boy first fly to the sounds of We're walking in the air.  What was also interesting was listening to my nephew talk about the show - last year he was a little bored/scared of the fighting scene between Jack Frost and the snowmen but this time it was his favourite bit.

Me? I loved it all and already can't decide if a viewing in December 2015 will spoil or increase the magic.